pattern interlockの例文

• Philip Radcliffe ( 1965, p . 114 ) says that the three-note gesture shares with the opening of the first movement  the unusual feature of beginning on the leading note of the scale .  Daniel Chua ( 1995, p . 113 ) points out that this creates  rhythmic ambivalence, especially when the two motives combine in bar 5 :  In this way, as the two patterns interlock a gentle tension is induced by the differing rhythmic currents and admits the possibility of two contradictory metrical interpretations .